|
|
|||||
|
|
The daughter of a powerful Nepalese political family with ties of kinship to the ill-fated royal family, it's been a hard year for Manisha Koirala. But things have never been easy for this talented actress.
Alas, things did not work out as smoothly as intended. Halfway through the shooting of Saudagar, Manisha and her mother informed the press that Ghai had assaulted her on the sets (with sexual intent). As the press frothed over the scandal, some were surprised that Manisha did not withdraw from the film. But Saudagar was, indeed, a dream launch, an opportunity difficult, if not impossible, for any aspiring actress to abandon. However, she has not worked again with Ghai, who himself never publicly responded to the allegations. (cinemaa.indyaa.com) This was only the first scandal linked with Manisha. A heated feud with Aishwarya Rai won her much negative attention. (For more, see Aishwarya's bio.) While on a concert tour in the U.S., she also had problems with screen legend Rekha. "What happened was that Rekhaji is a senior actress and she was with us in the show. What was disappointing was the fact that the show was titled The Star Of The Millennium -- Rekha. I have done shows before, but I have never been treated like this. I basically blame the organisers for their irresponsible behaviour. I don’t blame the senior actress at all. But they turned around and said that they were being pressurised by her. Now, we didn’t have the kind of direct contact with Rekhaji that they did. So it was their responsibility to treat us properly. I don’t know who to blame, but it was very disappointing and has taught me a lesson that I must not take things for granted." (Rediff, Mar. 2000) Charges of unprofessional behavior -- missing shooting dates, demanding script changes, etc. -- have also haunted her. Manisha strives for equanimity in the face of these allegations: "Such reports amuse me. Every single newspaper in town writes about how I've been shooting non-stop for the last four years. If I'm undisciplined, then how come I work so hard? I haven't had a decent vacation in two years. In nine years I've completed around 35 films." (cinemaa.indya.com) She also reasons, "If I was unprofessional, why would someone like Mani Ratnam work with me not in one, but three films? And would Raj Kumar Santoshi cast me in Lajja?" (Tatanova.com, Sep. 4, 2001) Last year, Manisha's phone number was found programmed in the speed dial of a drug dealer's mobile phone at the time of his arrest. She denied any involvement with illegal activities, protesting that her phone number was public information, all too easy to obtain. While she has been exonerated of any involvement, the press continues to rehash the story, which infuriates her. "It’s all bullshit. It’s so damaging. I have been angry since the day I heard it. And how do you justify it? By saying that my name is on the list of this guy Ali, who used to supply drugs? What’s hurt me the most is that people have taken what the police have said on face value, without even hearing my end of it? How can the police be so irresponsible as to release my name to the public like that?" (tatanova.com, Sep. 4, 2001) Adding fuel to an already blazing fire, her love life has now come under intense scrutiny. In 2001, Manisa broke off her engagement to Crispin Conroy, the Australian Ambassador to Nepal. "Just yesterday I wanted to marry Crispin and have his babies. Today we've drifted apart. The truth is, Crispin wanted to marry this May. When the date came close I developed cold feet. I realised I wasn't ready for marriage. Like they say, sometimes the man is right but the time isn't." (Filmfare, Dec 2001) Now she has been connected to an Italian businessman living in London, causing several gossip columns to snipe at her apparent preference for 'firangi' or 'foreign' blood. By turns, Manisha ignores the press and reviles it for its harsh treatment of her. She feels cheated by the response to her recent film Lajja: "Madhuri got fabulous reviews [for Lajja]. The character of Janki is her career best...she was brilliant. Yet I think it's unfair that the critics praised only her and panned the rest of us. My character Vaidehi didn't have clap trap situations... nevertheless it was effective. Yet the press went gaga over Madhuri and left the other performers out in the cold." (Filmfare, Dec. 2001) And she dryly notes journalists' eagerness to discount her. "I've been written off so many times that I have lost count. Like Maheshji (Bhatt) once told me, people are quick to write premature obituaries..." (cinemaa.indyaa.com) Yet she also acknowledges a reason for the media's negative interest. "I guess it is easier for people to portray me negatively. I have been an honest and an open person which makes it easier for people to believe anything they hear about me. It's amazing but so often people have, with such conviction, blamed me for things I haven't done. Not that I regret being open and honest. I won't say that being honest hasn't paid off, because it has. Had I been a liar, I would never have had a strong character, which I do. I guess being honest and open has exposed me as a target for all kinds of controversies." (Cineblitz, Mar. 2002) Certainly, in BollyWHAT?'s opinion, Manisha has not gotten her proper due -- her performance in Dil Se alone marks her as one of the best actresses working today. |
Manisha Koirala
|
|
FILMS
|
|
1991 First Love Letter |
|
* acclaimed performance
|